A really well made video by Walley Films which parodies some of the hyperbole that surrounds lots of the new film making kit that gets announced these days.
A short promo video that parodies the endless production and marketing of prosumer video cameras. Filmmakers Mark and Angela Walley have created a camera that is both a reverse trend in consumer electronics and “the most advanced camera ever built.”
At NAB 2014 F&V introduced their first External Viewfinder which could be a solution for the Blackmagic URSA and the AJA CION cameras. These cameras are sold without a viewfinder/eyepiece so you have to add your own. A small monitor will work but a purpose designed eyepiece with a loupe (a place to press your eye against and blocks out sunlight) which flips up is a very versatile piece of kit.
NAB2014 has seen the release of several new 4K cameras or updates to current ones. AJA have released the CION –
Las Vegas, NV, NAB Conference, Booth SL2505 (April 7, 2014)— AJA Video Systems today announced CION, an entirely new professional camera. CION features an ergonomic design and is capable of shooting at 4K/UltraHD and 2K/HD resolutions. AJA pioneered lens-to-post Apple ProRes workflows with the introduction of the Ki Pro product line in 2009; CION builds on this achievement by offering in-camera recording directly to the Apple ProRes family of codecs – including 12-bit 444 – for pristine image capture. ProRes codecs are well established in many post-production environments and offer wide compatibility with editing, color correction and finishing applications. CION enables today’s growing demand for high frame rate support and offers the ability to output 4K raw data at up to 120 fps via 4x 3G-SDI outputs. CION can record directly to AJA Pak SSD media at up to 60 frames per second.
Blackmagic Design have unveiled yet another 4K camera at NAB2014 :The URSA
Introducing Blackmagic URSA, the world’s first high end digital film camera designed to revolutionize workflow on set. Built to handle the ergonomics of large film crews as well as single person use, URSA has everything built in, including a massive 10 inch fold out on set monitor, large user upgradeable Super 35 global shutter 4K image sensor, 12G-SDI and internal dual RAW and ProRes recorders. Because the sensor and lens mount assembly can be changed, you can choose EF or PL lens mounts, or even a broadcast video sensor with B4 mount. This means you can upgrade to the latest sensor technology in the future and keep your investment in the camera body!
The URSA ticks a lot of boxes for professional camera-folk who are used to the more traditional ‘shoulder-mount’ design – it’s the right shape!