Another informative article abut the craft of film making by Shane Hurlbut, lighting in particular. He goes through the basics of how to read a Colour Temperature meter and using that information to balance the lights in your scene – making practical lights and even street-lights more usable for your final image.
Several weeks ago, I went into how to read your light meter and why it is so important. I know that many of you have said the light meter is dead. Well, you are not on your way to serving yourself well as a cinematographer by thinking this way. You have to have the brick and mortar of light before putting together your creative house.
“Snapshots of Your Color Palette”
This week I will go into how to read a color temp meter and describe why it is important. I have always loved understanding the color of different lights — street lights, fluorescents in a store, neon, moonlight, etc. I’ve talked about taking that snapshot in your mind with light, and I also do the same with color temps and how they mix.
He talks about how to take the colour temperature of the sun and reflected daylight so you can match a previously shot daylight scene once the sun goes down and, very importantly, how to measure the colour cast of practical lights and LEDs to eliminate any magenta or green issues.
Follow the link below to learn more….
via Reading a Color Temp Meter: Tips and Tricks | Hurlbut Visuals. by ShaneHurlbut
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